Welcome to the Poison Pie Publishing House!

Featured Books:


The Faerienomicon is an Encyclopedia of Faerie, rendered in felt, combining the crafts of felt finger puppets, local photography in the wild places of East Tennessee and non-idiomatic story telling. It is intended for both children and adventurous adults.

The Implacable Absence is a Non-Idiomatic Improvisational Duet, in which a mushroom man, a talking bug and a doppelgänger traverse Faerie, Nirvana, the World of the Dead and other planes of existence in search of the Deadly Galerina, a reclusive deity from the Kingdom of Fungi.

 

News Updates:

March 22, 2015
Demographics in a Modern Music Festival
The Poison Pie Publishing House is a proud resident of Knoxville, Tennessee, which also happens, in recent years, to be home to The Big Ears Festival, a creative music festival. This is a topic particularly dear to the PPPH, which applies to literature a non-idiomatic improvisational creative process originally embraced by creative musicians. The Big Ears festival has brought to town numerous luminaries of the field, including Keiji Haino (2014), Christian Fennesz (2009) and Pauline Oliveros (2009), all of whom have been featured in the course, The Golden Age of Non-Idiomatic Improvisation offered at the University of Tennessee by the Poison Pie Publishing House's own David J. Keffer.

In today's News Sentinel, the local paper of Knoxville, Tennessee, an opinion piece, originally written by Keffer as part of the music course, discusses the disappointing lack of diversity in a festival ostensibly targeted at open-minded listeners. The article draws on points made in A Power Stronger than Itself by George Lewis. The link to an edited version of the article on the News Sentinel website is here, but is available to subscribers only. The original version of the analysis is available to any interested party free of charge on the course website, here.

 

March 12, 2015
More Improvised Music from Winter 2015
Three recordings have been receiving heavy rotation by the staff of the Poison Pie Publishing House. While these recordings were made in 2010, 1982 and 1976, they were commercially released in 2015, late 2014 and never at all, the last one being a live recording delivered by a friend of the PPPH who thought it would be appreciated (which it was, and then some)! Pertinent details are listed for each below, followed by a few comments.

  • Two City Blues 1 & 2 - Keiji Haino , Peter Brötzmann & Jim O'Rourke - (Trost Records, Austria, TR 126 & 128, recorded November 23, 2010, released 2015, lp & cd respectively for 1 & 2) link.
  • 28 Rue Dunois juillet 1982 - Derek Bailey, Joëlle Léandre, George Lewis and Evan Parker - (Fou Records, FR - CD 06, recorded 1982, released 2014, cd) link.
  • Maison de la Radio France, Studio 104, Paris, France from Oct 17, 1976 - Steve Lacy Quartet (Steve Lacy, Irene Aebi, Kent Carter, Noel McGhee) + Derek Bailey - (live recording only, no commercial release) link.

Steve Lacy Quartet + Derek Bailey
We begin our comments with the last recording listed, which adds Derek Bailey to the Steve Lacy Quartet. In this recording, the Steve Lacy Quartet plays Steve Lacy songs, beginning with a favorite, The Crust. The second track, Micro World, is not well represented in the Lacy discography and also receives a rather wonderful treatment here, beginning with an ominous melody complemented perfectly by Aebi's voice. A unique appeal of this recording is that, in contrast to many Bailey collaborations, there is no concession by the other musicians to Bailey. The quartet plays their material, melodic songs in this case, and Bailey is left to contribute as he sees fit. Thus, he contributes sparsely at times, a note here, a note there, but always aware of the prevailing melody, resulting in an surprising and uncommon result in the large Bailey oeuvre, which is pleasing to the ear and invites repeated listenings.

Bailey/Léandre/Lewis/Parker
There are a variety of notes that have been written on the performance of the four musicians, who have in the 33 years since 1982 each ascended to the status of superheroes of non-idiomatic improvisation. (See the link above.) All we shall add here is that one expects a certain kind of music to emerge from a combination of Bailey/Léandre/Lewis/Parker. Upon listening to this music, one's expectations are largely met. Reading this, the initial impulse might be one of disappointment, since the music of non-idiomatic improvisation attracts those with an "an impatience with the gruesomely predictable". Still, the music possesses the ineffable qualities of free improvisation including some miraculous abilities at memory evasion. Each listening seems new, conveys the original energy and spontaneity. Consequently, the notes recorded on this cd have repeatedly echoed in the halls of the Poison Pie Publishing House during the first few months of 2015.

Haino/Brötzmann/O'Rourke
One can consider these two releases containing material from the same concert as a mixed media project, since volume one is released only on lp and volume two is released only on cd, although the business or aesthetic rationale behind this choice has not been revealed. Regardless, the music largely features Brötzmann as a soloist with Haino and O'Rourke playing supporting roles, although at moments the music coalesces into a trio. The releases are aptly titled because Haino and O'Rourke consciously attempt to inject blues-style guitar into the music, (at some points resorting to riffs that could even be called bluesy, in contrast to previous Haino efforts that he has identified as "blues" based, specifically the two Black Blues solo albums (on the now defunct Les Disques Du Soleil Et De L'Acier label and the two compelling Seijaku albums on doubt music, which he called "twentieth century" and "twenty-first century" blues, and which can be considered "blues" in at most a liberally abstract sense).

 

March 7, 2015
Jacob's Dream
The Poison Pie Publishing House is proud to host a gallery of artwork by Ms. Ruth Marie Keffer, titled Jacob's Dream. The work is based on verse 10 from Chapter 28 of Genesis, "And he saw in his sleep a ladder standing upon the earth, and the top thereof touching heaven: the angels also of God ascending and descending by it." Ruth Keffer was the artistic director for The Faerienomicon, published by the Poison Pie Publishing House in 2014. The PPPH has also created a broadside of angels, rendered as felt finger puppets, here.

 

February 23, 2015
An Hour of Keiji Haino for a Sunny Day in Japanese
The second issue of An International Journal of Exploratory Meta-Living, featuring an hour-long playlist composed of the music of Keiji Haino, suitable for a carefree stroll on a sunny day, has been translated by Mr. Hiromi Kudo into Japanese. It is available on his blog, A Challenge to Fate. The blog entry contains links to some of the music discussed, including a link to the difficult to find half-hour version of Koko (Here). Many thanks to Mr. Kudo for this translation!

 

February 10, 2015
The Implacable Absence: Reviewers Wanted
The Poison Pie Publishing House is looking for independent-minded reviewers for The Implacable Absence: A Non-Idiomatic Improvisational Duet by Henry E. Gorton and David J. Keffer. If the idea of a post-existential fantasy generated through a non-idiomatic improvisational creative process sounds potentially interesting then you are just the reviewer we are looking for! We think that this book will appeal to readers who possess, in the words of Derek Bailey, "an impatience with the gruesomely predictable".

The PPPH can supply reviewers worldwide with a review copy of the book in electronic format (pdf, epub, mobi). There is a limited supply of review copies of the book in paperback format that can, due to a finite promotional budget, be shipped only to reviewers in the United States of America. Please send a request for a review copy to editor "@" poisonpie.com. It would be helpful if target destinations for the review (amazon, goodreads, blog, etc.) were noted.

 

February 7, 2015
Critique of The Implacable Absence by The Midwest Book Review
The Implacable Absence: A Non-Idiomatic Improvisational Duet by Henry E. Gorton and David J. Keffer was reviewed in the Small Press Bookwatch of the Midwest Book Review. Here is what they had to say

Critique: Unique, engaging, superbly written and presented, "The Implacable Absence: A Non-Idiomatic Improvisational Duet" is a seminal reading experience from beginning to end. Erudite, complex, and solidly entertaining, "The Implacable Absence" is very highly recommended for community and academic Literary Fiction collections and personal reading lists.

The Implacable Absence: A Non-Idiomatic Improvisational Duet is available in paperback and ebook formats in the shop.

 

February 5, 2015
An Hour of Keiji Haino for a Sunny Day
The second issue of the International Journal of Exploratory Meta-Living has been published. This issue includes an hour long playlist composed entirely of the music of Japanese experimental vocalist and guitarist, Keiji Haino, intended to accompany a carefree stroll on a sunny spring day.

 

January 24, 2015
2014: The Year in Review at the Poison Pie Publishing House
2014 proved another productive year for the Poison Pie Publishing House, which released a total of five books in a combination of paper and electronic formats. The 2014 catalog of releases is comprised of one novel, one illustrated book and a trilogy of fantasy role-playing modules. For those keeping track at home, the full list of releases includes

 

Additionally, in 2014 the Poison Pie Publishing House became the repository for three electronic documents, including two literary essays and one interview.

Looking back at the goals of the previous End-of-the-Year Report for 2013, two of the five books proposed were realized in 2014, The Implacable Absence and The Faerienomicon. The other planned projects were either postponed due to other activities, shelved indefinitely or simply remained in progress by the authors.

Looking forward to 2015, the staff of the Poison Pie publishing House is engaged in the preparation of various works, including (i) its first volume of poetry, A Prayer Book for the Damned, (ii) the next instalment in its eclectic series of post-existential novels generated through a non-idiomatic improvisational creative process, (iii) hopefully another illustrated book by the Keffer family of East Tennessee, (iv) a light-hearted fantasy role-playing module for children, A Bride for Chubbernut, (v) modest tinkering with an archival novel yet to be published and (vi) whatever other unruly beast happens to rear its head.

To our readers, we, the staff of the Poison Pie Publishing House, thank you for your patronage and support and we look forward to another mutually creative and unpredictable year.

 

January 22, 2015
Non-Idiomatic Improvised Music in 2014
The Poison Pie Publishing House repeatedly insists upon identifying itself as a publisher of post-existential fiction generated through a non-idiomatic improvisational creative process (though such distinction undeniably serves no commercial purpose). While the PPPH staff has written on a literature of non-idiomatic improvisation, it is certainly true that non-idiomatic improvisation originated with music. While many remain unaware of its activities, non-idiomatic improvised music continues to be created and released today. As evidence, the staff of the Poison Pie Publishing House assembled a short list of a few recordings officially released in 2014. This brief list is, of course, not intended to be exhaustive. Rather it provides a window into the sorts of sounds that reverberated in the hallways of the Poison Pie Publishing House as our work was under way. This list is provided in no particular order, except that the two posthumously released recordings appear last. While a link is provided for each recording, it goes without saying that the Poison Pie Publishing House has no commercial affiliation with any of the record labels represented here.

  • Flowing Stream - Thomas Buckner, Joëlle Léandre & Nicole Mitchell - (Leo Records, England, CD LR 701, 2014, cd) link.
  • The Secret Escapades of Velvet Anderson - Nicole Mitchell's Sonic Projections (Rogue Art, France, ROG-0056, 2014, cd) link.
  • Sonic Rivers - Wadado Leo Smith, George Lewis & John Zorn (Tzadik, USA, TZ 4001, 2014, cd) link.
  • Only Wanting To Melt Beautifully Away... - Keiji Haino, Jim O'Rourke & Oren Ambarchi (Black Truffle Records/medama records, Australia/Japan, BT011/mr05, October 11, 2014, lp) link.
  • Aphorisms (Discography) - Peter Kowald, Floros Floridis & Baby Sommer (Jazzwerkstatt, Germany, 150, (rec. 1997) 2014, box+book+cdx4) link.
  • Avignon & After Volume 2 - Steve Lacy (Emanem, England, 5031, (rec. 1972-7) 2014, cd) link.

 

January 14, 2015
A Bride for Chubbernut
A Bride for Chubbernut is a module containing sixteen light-hearted delves for role-players, young and old, in which the party travels as guard to Chubbernut, a bullywug crown prince, who refuses to marry for political alliance and insists that he will only wed his true love. The party must protect and advise Chubbernut as he seeks to discover the meaning of love by completing tasks assigned to him by a legendary matchmaker and oracle. This module includes various absurdities including one delve in which the heroic party must sing an opera based on a Mad Lib of John Berryman's poem, Dream Song 14 in order to obtain a magical popsicle created by a pair of yetis who froze the Elixir of Immortality and who happen to be opera aficionados.

The character of Chubbernut, the bullywug prince, was created by Mr. Henry E. Gorton. The Keffer family created eight of the delves for the first visit of Henry Gorton to East Tennessee in the summer of 2014. The remaining eight delves were completed in the winter of 2015 in anticipation of a subsequent visit at an as of yet undetermined date.

Instead of the traditional lead miniatures, the characters in this module are represented using LEGO minifigures. Numerous photographs are included in the module.

A Bride for Chubbernut, and other fantasy role-playing modules from the Poison Pie Publishing House are freely available in electronic format via anonymous download here.

 

January 7, 2015
The Implacable Absence Review
A review of the The Implacable Absence, a non-idiomatic improvisational duet by Henry E. Gorton and David J. Keffer is posted on the blog Paranormal Romance and Authors that Rock. The novel is a post-existential fantasy investigating the juxtaposition of individual destinies across separate timelines. The book can be purchased in paperback or a variety of electronic formats in the shop.

 

January 6, 2015
Lê Quan Ninh
Today we present a quote from Lê Quan Ninh (1961-), a French percussionist, on Nothing.

After every performance, I might as well throw up my hands and shout: "Still nothing!!"...Maybe just the amount of time that passed, a time that lacks the quality of assault or fading away, a simple stretch of collective lived time that gets melded with my perception. So what exactly was I doing during all that time, with sounds? What took hold of me that in turn made me use them, make them appear, state them aloud, and then leave them behind in nothingness? What persuaded me to choose such an unproductive, useless activity?
--Lê Quan Ninh
Improvising Freely: The ABC's of an Experience, trans. Karen Houle, PS Guelph, 2014, p. 63.

 

December 27, 2014
End of the Year Free Story!
The Poison Pie Publishing House is proud to announce the unexpected release of an illustrated short story by Joseph Thomas Keffer, The Story of Poison Pie Jr.. This is Joseph Keffer's first work with the Poison Pie Publishing House since the critically acclaimed work of non-fiction, Facts About Robots.

 

December 15, 2014
Numismatists of the Great Wheel
The Poison Pie Publishing House is proud to announce the release of the third and final module, Numismatists of the Great Wheel, in the Rare Elements trilogy. In this fantasy role-playing module, the players must travel across the planes of existence in order to acquire a set of coins, each corresponding to a particular alignment (LG, LN, LE, NG, N, NE, CG, CN, CE). It is fitting that the campaign is set in the Planescape cosmology, where each plane corresponds to an alignment. Thus the party must brave the hostile environs of the Abyss to obtain the Chaotic Evil coin, overcome adversity while adhering to strict moral precepts in Mount Celestia to obtain the Lawful Good coin, and similarly for the other alignments. The module is unofficially associated with the set of alignment coins minted at the Rare Elements Foundry, from whom the coins are still available for purchase. For those who don't play, the module still may be of interest if for nothing more than a dozen or so entertaining sketches of non-player characters in Appendix II. The module, as well as the two earlier entries in the trilogy, The Seven Wondrously Replicating Elemental Coins and The Shadow Mephit's Coin, are freely available in electronic format via anonymous download here.

 

December 10, 2014
Literary Essays Salvaged from the Sinking of the Scriptorium
As a writer, David Keffer will eagerly admit that he has been influenced by the works of giants of world literature. Significant influences include Kobo Abé, Donald Barthelme, Italo Calvino, Fyodor Dostoyevsky, Primo Levi, Philip Levine, Luo Guanzhong, Shi Nai'an and many others. Beyond just reading the works of these writers, Keffer also performed a variety of different kinds of critical studies. For two of these authors, the Japanese existentialist and absurdist, Kobo Abé, and the Italian chemist and Holocaust survivor, Primo Levi, Keffer wrote lengthy critical essays that served as introductions to their works. These essays were published in the Scriptorium of The Modern Word website, an online resource for post-modern fiction. There they remained for well over a decade. In December, 2014, the staff of the Poison Pie Publishing House was alerted to the demise of the The Modern Word website. Consequently, the Poison Pie Publishing House is now hosting the essays without modification.

Kobo Abé: The Clinical Eye of the Physician
A critical analysis of the fiction of Kobo Abé translated into English, originally published in November, 2000, is now hosted here. This essay investigates eight novels and uniquely evaluates the writing of Kobo Abé through the criteria for literature proposed by Italo Calvino in Six Memos for the Next Millenium. For those interested, we can recommend two novels published by the Poison Pie Publishing House in which one may see the influence of Abé. In The Sutra of Reverse Possession (2012), one finds an examination in the form of a narrative for discovering successful roles in domestic life, which has at least some peripheral relationship with The Face of Another by Abé. In an entirely different vein, the post-existential science fiction novel, june and jitter (the bugs) (1993), is described as the bastard child produced from the unholy union of Ray Bradbury's The Martian Chronicles and an unrelenting dose of the clinical absurdism of Kobo Abé.

Primo Levi: Mapping Post Modern Fiction Onto the Periodic Table
A critical analysis of the fiction of Primo Levi translated into English, written with Allan B. Ruch and originally published in December, 2001, is now hosted here. This essay introduces Levi to new readers and focuses on six volumes of fictional work with post-modern relevance. The essay does not analyze Levi's important contributions to documenting the Holocaust, such as the nonfiction of Survival in Auschwitz or the novel If Not Now, When?. There is no particular novel published by the Poison Pie Publishing House in which the influence of Levi is keenly apparent. Instead, Levi has more generally informed the sensibilities of the author.

 

November 30, 2014
Quote from Evangelii Gaudium by Pope Francis
The great danger in today's world, pervaded as it is by consumerism, is the desolation and anguish born of a complacent yet covetous heart, the feverish pursuit of frivolous pleasures, and a blunted conscience. Whenever our interior life becomes caught up in its own interests and concerns, there is no longer room for others, no place for the poor. God's voice is no longer heard, the quiet joy of his love is no longer felt, and the desire to do good fades.
--Pope Francis
Apostolic Exhortation: Evangelii Gaudium (Joy of the Gospel), November 24, 2013, English translation, paragraph 2, Vatican Press.

 

November 6, 2014
Lê Quan Ninh
The book by improvising percussionist, Lê Quan Ninh, Improviser Librement: Abécédaire d'une Expérience, published in 2010 by Editions Mômeludies, Collection Entre-Deux has been translated from French to English as Improvising Freely: The ABC's of an Experience, published in 2014 by PS Guelph. This book contains observations and musings regarding improvisation in music and life from the non-idiomatic percussionist, Lê Quan Ninh. Each entry is arranged in alphabetical order to form an eccentric encyclopedia of a host of elements contributing to the overall nature of his improvisational process. The English version contains not only the content of the original French edition but also new entries.

Improvising Freely: The ABC's of an Experience is a lovely little book with short passages, ideal for those who travel by bus or subway and find small parcels of time in which they can read because the entries are distinct and self-contained and require time for pausing and reflecting over the multiple interpretations of the content of each passage. The entries possess both statements of simple profundity and complex depth, both of which reward repeated readings. The non-linear format of the book invites a non-linear reading technique, in which the book is opened and reopened at different times and different places, finding new passages or old passages given new meaning based on the current locale or the events of the day that immediately preceded the reading. It is, in short, a delightful compendium of improvisational insights.

The writing clearly and intrinsically reflects the personal predilections and philosophy of Lê Quan Ninh. For example, in the entry for Education, he writes, "If there must be an education [in improvisation], may it be self-taught, and may it teach a preference for solitude. We might be numerous as apprentices but we are always alone when we are unlearning. A strange pedagogy that leads to its own forgetting..."

The English translation of the book by Karen Houle leaves nothing to be desired. The writing possesses both a simplicity that makes it a pleasure to read and the necessary nuance to capture subtle distinctions in the subject.

Improvising Freely: The ABC's of an Experience is a charmingly unique little book capable of communicating immense ideas to an open-minded reader. The book can be purchased in paperback and electronic formats at http://www.publicationstudio.biz/books/269.

 

November 5, 2014
The Implacable Absence is Published!
The Poison Pie Publishing House is proud to announce the publication of The Implacable Absence, a non-idiomatic improvisational duet by Henry E. Gorton and David J. Keffer. The novel is a post-existential fantasy investigating the juxtaposition of individual destinies across separate timelines. More information on the nature of the creative process employed to generate this work is available. The book can be purchased in paperback or a variety of electronic formats in the shop.

 

November 4, 2014
A Prayer Book for the Damned
The unknown source of the inexplicable impulse to compose a set of prayers has now fled the Poison Pie Publishing House. Thirty-three prayers were written, starting with "A Prayer for the Suffering" on August 21, 2014 and ending with "A Prayer for Quitters" on October 31, 2014. The staff have selected a subset of the prayers to appear in a collection titled, "A Prayer Book for the Damned", which will be published without unnecessary delay. The original versions of the prayers will remain freely available for viewing on the Poison Pie Publishing House site. More information is available here.

 

October 5, 2014
Four Heroic Finger Puppets!
The Poison Pie Publishing House presents a new broadside featuring four heroes from the forthcoming novel Poison Pie vs the Implacable Absence by Henry Gorton & David Keffer. In this broadside each finger puppet is designed by a different member of the staff of the PPPH. We imagine that these puppets and others presented in the broadside page of the gallery are being created for a follow-up illustrated book to the The Faerienomicon. There are early character histories and role-playing statistics for these characters here.

 

September 21, 2014
Numismatists of the Great Wheel
New content has been added to the sneak peak of the forthcoming fantasy role-playing module Numismatists of the Great Wheel, an adventure set in the Planescape universe, which allows a party to acquire the ten alignment coins minted by the Rare Elements team. The new content includes descriptions of the delves associated with the first two coins and the first several NPC histories. The module in its current state can be freely and anonymously downloaded here.

 

September 17, 2014
Quote from Labor and Monopoly Capital by Harry Braverman
Today we present a quote from Harry Braverman (1920-1976), an American Marxist, on the subject of the impact of the universal market on leisure.

In a society where labor power is purchased and sold, working time becomes sharply and antagonistically divided from non-working time, and the worker places an extraordinary value upon this "free" time, while on-the-job time is regarded as lost or wasted. Work ceases to be a natural function and becomes an extorted activity, and the antagonism to it expresses itself in a drive for the shortening of hours on the one side, and the popularity of labor-saving devices for the home, which the market hastens to supply, on the other. But the atrophy of the community and the sharp division from the natural environment leaves a void when it comes to the "free" hours. The filling of time away from the job also becomes dependent upon the market, which develops to an enormous degree those passive amusements, entertainments, and spectacles that suit the restricted circumstances of the city and are offered as substitutes for life itself. Since they become the means of filling all the hours of "free" time, they flow profusely from corporate institutions which have transformed every means of entertainment and "sport" into a production process for the enlargement of capital. By their very profusion, they cannot help but tend to a standard of mediocrity and vulgarity which debases popular taste, a result which is further guaranteed by the fact that the mass market has a powerful lowest-common-denominator effect because of the search for maximum profit. So enterprising is capital that even where effort is made by one or another section of the population to find a way to nature, sport, or art through personal activity and amateur of "underground" innovation, these activities are rapidly incorporated into the market so far as is possible.
--Harry Braverman
Labor and Monopoly Capital: The Degradation of Work in the Twentieth Century, Monthly Review Press, New York, 1974, pp. 278-9.

 

April 30, 2014
An International Journal of Exploratory Meta-Living
The inaugural issue of An International Journal of Exploratory Meta-Living has been published. It features a lengthy interview with the Editor-In-Chief of the Poison Pie Publishing House. An electronic version of the issue can be anonymously downloaded free-of-charge here.

 

April 2, 2014
A Literature of Non-Idiomatic Improvisation: A Condensed Statement

With the publication of The Faerienomicon by the Poison Pie Publishing House and the corresponding claim that the writing within the book was generated via a non-idiomatic, improvisational process, we at the Poison Pie Publishing House have been virtually inundated with virtual requests for clarification of the term. While a lengthy article on the subject written in a scholarly style is available, most folks want a short and to-the-point description.

Non-idiomatic, improvisational writing is a creative process by which a writer generates passages outside existing genres of literature without the aid of either a previously written draft or extensive post-editing.

Non-idiomatic, improvisation originated in music and the musical analogy remains useful in understanding its application to literature. Music is generated via both improvisation and composition, two forms that typically have readily identifiable differences and relative strengths and weaknesses. So too can writing be generated via improvisation and more traditional composition. The same characteristics, both thematic and stylistic, that distinguish improvised music from composed music are apparent in the comparison of the analogous literatures. There exists a freedom and spontaneity in improvised writing, which attracts those with "an impatience for the gruesomely predictable" (D. Bailey). At the same time, improvised writing may be vulnerable to a lack of complexity, unless the writer engages in an intensive regimen of practice, which maintains the improvisational creative faculties at the ready. Such a model is again taken from the explicitly stated practice habits of non-idiomatic, improvisational musicians.

Some musicologists eschew the term, "non-idiomatic improvisation", since, once a non-generic style is created and invoked multiple times, it becomes a new idiom. The Poison Pie Publishing House embraces the term "non-idiomatic improvisation" as an ideal toward which one strives, an endless process in which each subsequent creative act is disconnected from the previous. An appealing way to think of non-idiomatic improvisation is as a Zen riddle. Once you create a non-idiomatic process, it no longer exists.

This condensed explanation is also available via free, anonymous download here (pdf file).

 

December 10, 2012
The Sutra of Reverse Possession by David J. Keffer has been published in both paperback and ebook formats, available from the shop. "The Sutra of Reverse Possession" is a novel of non-idiomatic improvisation, written from 2010 to 2012 in Seoul, Korea and Knoxville, TN.

 

 

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