A Philip Levine Collection


Title:  Unselected Poems
Printing:  First
Year of publication:  1997
Publisher:  Greenhouse Review Press
City:  Santa Cruz, CA
Number of Pages:  109
Cover:  paperback
Library of Congress Catalog Card Number:  -
ISBN:  0-9655239-0-X

Table of Contents:
  • One
    • Coming Homeward from Toledo (from Not This Pig)
    • Commanding Elephants (from Not This Pig)
    • House of Silence (from Red Dust)
    • Where We Live Now (from Red Dust)
    • Alone (from They Feed They Lion)
    • The Cutting Edge (from They Feed They Lion)
    • The Way Down (from They Feed They Lion)
    • Waking Alicante (from They Feed They Lion)
    • Ruth (from 1933)
  • Two
    • For the Fallen (from The Names of the Lost)
    • Elegy for Teddy Holmes (from The Names of the Lost)
    • The Falling Sky (from The Names of the Lost)
    • For the Poets of Chile (from The Names of the Lost)
    • Any Night (from Ashes)
    • A Woman Waking (from Ashes)
    • Montjuich (from Ashes)
    • Songs (from Ashes)
    • Asking (from Seven Years from Somewhere)
    • Salt (from One for the Rose)
  • Three
    • Get Up (from One for the Rose)
    • You Can Cry (from One for the Rose)
    • Above Jazz (from One for the Rose)
    • Making Soda Pop (from One for the Rose)
    • One (from One for the Rose)
    • The Doctor of Starlight (from One for the Rose)
    • Steel (from One for the Rose)
    • I Remember Clifford (from One for the Rose)
    • Voyages (from Sweet Will)
    • Those Were the Days (from Sweet Will)
    • The Present (from Sweet Will)
    • Wisteria (from Sweet Will)
    • Then (from Sweet Will)
  • Four
    • The Harbor at Nevermind, 1915
    • Ascension (from One for the Rose)
    • Keep Talking
    • Alba
    • This World
    • The Letters
    • Another Song (from A Walk with Tom Jefferson)
    • Going Back
    • On the Language of Dust




The Harbor at Nevermind, 1915

The dawn is early. It was brought in
by four fishing boats that rowed back
on a calm sea with no catch at all.

The morning is angry. The little boats,
empty now, knock knock against the pier.
A wedge of burned coffee drives down

from the village, wakening slowly, one
house at a time where the fishermen
have gone back to bed nursing their rage.

If that were not my father standing
alone between two huge graying rocks
this could all be nothing or a dream.

If this were not the end of a year
at war, I could turn from the page
and go about my morning calmly

and you could amble to the window
seventy-eight years from here and gaze
into a cloudless sky for a sign.

Suddenly you take my hand and we
peer into the haze of our century
hoping to find an answer somewhere

in the great mushroom of imagery.
We find instead the rain driving down
on the ruined harbor, the houses closed,
the sea giving away less than it knows.